mt.fadf.ieu.edu.tr
Course Name | |
Code | Semester | Theory (hour/week) | Application/Lab (hour/week) | Local Credits | ECTS |
---|---|---|---|---|---|
Fall/Spring |
Prerequisites | None | |||||
Course Language | ||||||
Course Type | Elective | |||||
Course Level | - | |||||
Mode of Delivery | - | |||||
Teaching Methods and Techniques of the Course | ||||||
Course Coordinator | ||||||
Course Lecturer(s) | ||||||
Assistant(s) | - |
Course Objectives | |
Learning Outcomes | The students who succeeded in this course;
|
Course Description |
| Core Courses | |
Major Area Courses | ||
Supportive Courses | X | |
Media and Managment Skills Courses | ||
Transferable Skill Courses |
Week | Subjects | Required Materials |
1 | Introduction: the importance of design competitions | |
2 | International design competitions /Introduction to Project 1 . Selection of the first competition with an examination of competition brief and guidelines | http://ifwedding.izfas.com.tr http://www.eibmodatasarimyarismasi.org http://www.istanbulderifuari.net |
3 | Design Concept Development/ Assignment 1research presentation | John Gage, Colour and Meaning, Thames and Hudson Black Dog Publishing, Colour in the Making, From Old Wisdom to New Brilliance, Black Dog Publishing Tatham&Julian Seaman, Fashion Design Drawing Course, Thames& Hudson, 2003 |
4 | Design research & sketchbook / Assignment2Material research | Hannelore Eberle-Hermann Hermeling-Marianne Hornberger-Dieter Menzer-Werner Ring, Clothing Technology (From fiber to Fashion), 1999. Jane Dunnewold, Art Cloth: A Guide to Surface Design For Fabric, Interweave Press The Pattern Base: Over 550 Contemporary Textile and Surface Designs, Thames and Hudson The Art of Manipulating Fabric, Colette Wolff, Krause Publications Aldrich |
5 | Design development/Assignment 3Collection presentation | Sue Jenkyn Jones, Fashion Design, 3th edition, Laurence King Publishing, 2011, Jacqueline McAssey, Clare Buckley, Moda Tasarımında Stil Yaratmak, Literatür Yayınları: 689, 2013 Steven Faerm, Fashion Design Course, Thames & Hudson, 2011, Caroline |
6 | Collection design and presentation | |
7 | Project presentation | |
8 | Introduction to project 2 . Selection of the competition and examination of the brief and guidelines | John Gage, Colour and Meaning, Thames and Hudson Black Dog Publishing, Colour in the Making, From Old Wisdom to New Brilliance, Black Dog Publishing Tatham&Julian Seaman, Fashion Design Drawing Course, Thames& Hudson, 2003 |
9 | Design Concept Development / Assignment 4 research presentation | Hannelore Eberle-Hermann Hermeling-Marianne Hornberger-Dieter Menzer-Werner Ring, Clothing Technology (From fiber to Fashion), 1999. Jane Dunnewold, Art Cloth: A Guide to Surface Design For Fabric, Interweave Press The Pattern Base: Over 550 Contemporary Textile and Surface Designs, Thames and Hudson The Art of Manipulating Fabric, Colette Wolff, Krause Publications Aldrich |
10 | Design research and Sketchbook / Assignment 5Material Research | Sue Jenkyn Jones, Fashion Design, 3th edition, Laurence King Publishing, 2011, Jacqueline McAssey, Clare Buckley, Moda Tasarımında Stil Yaratmak, Literatür Yayınları: 689, 2013 Steven Faerm, Fashion Design Course, Thames & Hudson, 2011, Caroline |
11 | Design Development/Assignment 6collection presentation | |
12 | Collection design and presentation | |
13 | Project presentation | |
14 | Completion of competition portfolio | |
15 | Review of the Semester | |
16 | Review of the Semester |
Course Notes/Textbooks | John Gage, Colour and Meaning, Thames and Hudson Black Dog Publishing, Colour in the Making, From Old Wisdom to New Brilliance, Black Dog Publishing Tatham&Julian Seaman, Fashion Design Drawing Course, Thames& Hudson, 2003 Hannelore Eberle-Hermann Hermeling-Marianne Hornberger-Dieter Menzer-Werner Ring, Clothing Technology (From fiber to Fashion), 1999. Jane Dunnewold, Art Cloth: A Guide to Surface Design For Fabric, Interweave Press The Pattern Base: Over 550 Contemporary Textile and Surface Designs, Thames and Hudson The Art of Manipulating Fabric, Colette Wolff, Krause Publications Aldrich Sue Jenkyn Jones, Fashion Design, 3th edition, Laurence King Publishing, 2011, Jacqueline McAssey, Clare Buckley, Moda Tasarımında Stil Yaratmak, Literatür Yayınları: 689, 2013 Steven Faerm, Fashion Design Course, Thames & Hudson, 2011, Caroline |
Suggested Readings/Materials | John Lau, Designing Accessories, An Ava Book, 2012 Diane Philippoff Maurer, Fiber Arts, Chilton Book Company, ABD, 1978 Janet Edmonds, 3D Embroidery, Batsford, 2005 |
Semester Activities | Number | Weigthing |
Participation | 15 | 10 |
Laboratory / Application | ||
Field Work | ||
Quizzes / Studio Critiques | ||
Portfolio | ||
Homework / Assignments | 6 | 30 |
Presentation / Jury | 2 | 25 |
Project | ||
Seminar / Workshop | ||
Oral Exam | ||
Midterm | 1 | 15 |
Final Exam | 1 | 20 |
Total |
Weighting of Semester Activities on the Final Grade | 80 | |
Weighting of End-of-Semester Activities on the Final Grade | 20 | |
Total |
Semester Activities | Number | Duration (Hours) | Workload |
---|---|---|---|
Course Hours (Including exam week: 16 x total hours) | 16 | 2 | 32 |
Laboratory / Application Hours (Including exam week: 16 x total hours) | 16 | ||
Study Hours Out of Class | |||
Field Work | |||
Quizzes / Studio Critiques | |||
Portfolio | |||
Homework / Assignments | 6 | 5 | |
Presentation / Jury | |||
Project | |||
Seminar / Workshop | |||
Oral Exam | |||
Midterms | 1 | 5 | |
Final Exams | 1 | 5 | |
Total | 72 |
# | Program Competencies/Outcomes | * Contribution Level | ||||
1 | 2 | 3 | 4 | 5 | ||
1 | To be able to independently develop and design a collection. | X | ||||
2 | To be able to apply industrial requirements, knowledge of material & usage and know-how knowledge in the creation of high quality fashion products. | X | ||||
3 | To have a research oriented awareness of design, and being able to do design research individually. | X | ||||
4 | To be able to use a foreign language at a good and advanced level. | X | ||||
5 | To develop entrepreneurship- and managerial skills for a future professional practice. | X | ||||
6 | To be able to follow, observe and analyze the news issues, changes and trends in contemporary design and art in such a way that they can be integrated into design practice. | X | ||||
7 | To have an ability to use digital information and communication technologies at a level that is adequate to the discipline of fashion design. | X | ||||
8 | To recognize, analyze and integrate within their practice the particular local and regional needs and developments of their profession. | X | ||||
9 | To develop an ongoing analytical and professional approach to academic and design research. | X | ||||
10 | To be able to recognize the need and importance of a personal lifelong learning attitude towards their chosen area of interest. | X | ||||
11 | To be able to understand, interpret and apply theoretical knowledge in fashion design. | X |
*1 Lowest, 2 Low, 3 Average, 4 High, 5 Highest